To investigate the effect of vermicompost, N fertilizer and their integration on growth, biological and essential yields oil and its components in two populations (Varamin and Isfahan), an experiment was conducted in a randomized complete block design with three replications in the field of Isfahan Medicinal Plants Research Center in 2016. Fertilizer treatments including 100% urea, vermicompost 33.3 and urea 66.6%, vermicompost 66.6 and urea 33.3%, 100% vermicompost and control treatment (without fertilizer) as the first factor and Varamin and Isfahan populations as the second factor were selected. The results showed that the interaction effects of nitrogen fertilizer and populations on all studied traits were significant. In both populations, nitrogen fertilizer improved height, biological and essential oil yields, content of essential oil compounds (d-Carvone and its yield, α-phellandrene and linalool; except p-Cymene and Limonene in Isfahan population). Since in medicinal plants, the quantity (biological yield) and quality (essential oil and d-Carvone; the most important ingredient and the highest amount of essential oil in this experiment), 66.6% vermicompost + 33.3% urea in Varamin population, was the best treatment in the experiment. In addition an in the direction of human health and sustainable agriculture, it is possible to reduce 33% of chemical fertilizers application and pollution; however, in terms of other essential oil contents (α-phellandrene, Linalool and p-Cymene), 100% vermicompost fertilizer treatment was superior in Isfahan population.

One of the most popular genres in traditional and folk literature is the love story. There are more than 600 Persian manuscripts and printed works of this genre in both prose and poetry. Great poets have paid special attention to this genre in order to either create a literary school or enjoy the mere fun of it. This great volume of work has not been categorized and analyzed so far. In this article, the writer tries to categorize Persian love STORIES based on the type of lovers, theme, historical origins, geographical origins, originality of the narrative, ending, type of love, language, and the method of presentation. A general introduction will first be presented to love STORIES and their development throughout history. This article and the suggested categories will pave the way for further and better studies of love STORIES.

Onsorol-Maali is of the scholars and Emirs of Ale Ziar dynasty whose well-known work, The Qabusnameh is ponderable from the literary, historical, political and social point of view. The narrative prose and its texture with different fables has made it deserved to be investigated from narrative literary aspect. Having elements such as limited space, deficient time, and limited characters have ranked this story among the short story works. Based on the most important element of the fiction, this article deals with the surveying and analyzing 'the character' in this valuable work. The romanticizing power of the author shows that the STORIES of this book, because of the diversity of the topics and inclusion of political and social problems has manifold characters, especially men with political and social problems. The contribution of the women in that brief work is because of their wisdom and boldness.

One of the elements which has a vital and relatively novel function in the analysis of contentand structure of literary works is motif. The recognition of this device as one of themost common expressions in art and literature is important due to its evoking and recurrent nature. The present study investigates the function and role of motif in the works of several novelists in 1320-1330. Motif has been commonly used in the literary works of this decade. These recurrent elements comprise a major part of most STORIES. The study introduces some prominent writers of the period; this introduction is preceded bythe description of the social and political conditions of the time. In addition, the functions of motifs are examined in some STORIES of this decade. The other objective of the paper is to analyzethe process of these meaningful elements, which represent writers' emotions, concerns andworldviews.

Different TYPES of contact, including contact between node pairs, any-contact of nodes, and contacts of the entire network, are used to characterize social relations in mobile social networks. Different modes of routing, from the point of view of message delivery semantics, encompass unicasting, multicasting, any-casting, and broadcasting. Studies have shown that using probability distribution functions of contact data, which is mainly assumed to be homogeneous for nodes, improves the performance of these networks. However, there exists an important challenge in studies on distributions. A lot of works apply the distribution of one type of contact to other TYPES. Hence in routing applications, it causes to use of the distribution of one type of contact for any mode of routing. This study provides a complete solution to model each type of homogeneous contact data distribution and to use them in different modes of routing. We propose a routing algorithm that uses this new model. Results show that our solution improves the average latency of comparing methods Epidemic, TCCB, and DR about 3.5-times, 30%, and 45%, respectively. It achieves a delivery rate of about 5% and 6%, and average latency about 6% and 8% better than that of DR and TCCB, respectively.

The study of motif in fiction and the analysis of the relationship between motif and other fictional elements contribute to a more comprehensive understanding of STORIES and their implied meanings. Sadegh Hedayat is among the authors who, either intentionally or unintentionally, make enormous use of motifs in their fictional works. "Music", "painting", "darkness", "coldness", and "shadow" are some of the recurrent elements and anti-Arabism, the power of fate, determinism, and isolation are some of the recurrent themes in his STORIES. These elements and concepts recur in Hedayat's STORIES significantly, and they represent the artistic intention of the author and his intellectual as well as emotional concerns. Conceptual motifs reveal Hedayat's world view and his view of life and human beings, as well as his personality features and concerns. This paper studies the dominant motifs in Hedayat's STORIES and shows that all TYPES of motifs which recur in each story have fundamental functions in his fictional works and they contribute to the coherence and integrity of the plot, characterization, and setting of the STORIES.

Daneshvar's short STORIES are important in several ways: First, the type of story writing in terms of approach To other contemporary storytelling techniques due to the existence of meaningful and symbolic mythological signs along with presentation Culture is general. Demonstrating the literary and artistic value of any work depends on its aesthetics; Simile in addition That it is one of the important and basic pillars of the science of expression; Study and analysis of its TYPES in terms of structure and content It can also express the specific style and language of the poet and writer. This research is intended from the perspective of application Simile can open the way for those interested in literary works to better understand his poetry and poetic beauties. Be. Using the information obtained from identifying similes in Simin Daneshvar's short STORIES The frequency of the use of similes in these works will be determined so that the author's tendency towards this artistic preparation and role It should be revealed in the literary aspect of his speech. The general result of this research is the author's approach to simile in drama Atefeh is one of the characteristics of Khorasani style. Therefore, the researcher in this research intends to analyze Simile in the STORIES of Simin Daneshvar The various dimensions and importance of different TYPES of simile in the short STORIES of this author To study and explore.

Daneshvar's short STORIES are important in several ways: First, the type of story writing in terms of approach To other contemporary storytelling techniques due to the existence of meaningful and symbolic mythological signs along with presentation Culture is general. Demonstrating the literary and artistic value of any work depends on its aesthetics; Simile in addition That it is one of the important and basic pillars of the science of expression; Study and analysis of its TYPES in terms of structure and content It can also express the specific style and language of the poet and writer. This research is intended from the perspective of application Simile can open the way for those interested in literary works to better understand his poetry and poetic beauties. Be. Using the information obtained from identifying similes in Simin Daneshvar's short STORIES The frequency of the use of similes in these works will be determined so that the author's tendency towards this artistic preparation and role It should be revealed in the literary aspect of his speech. The general result of this research is the author's approach to simile in drama Atefeh is one of the characteristics of Khorasani style. Therefore, the researcher in this research intends to analyze Simile in the STORIES of Simin Daneshvar The various dimensions and importance of different TYPES of simile in the short STORIES of this author To study and explore.

BACKGROUND AND OBJECTIVES: Bahar Danesh is one of the folk and ancient Indian legends, written by Inayatullah Kanabwe Lahori (1088A.H.), it is a joint chapter of folk and literary STORIES in the style of Indian storytelling and STORIES within STORIES. Transfiguration (human to human, human to animal, human to illusory beings, animal to animal, etc.) is one of the recurring themes in the STORIES of this book, with themes such as shape-shifting, spells and magic, incarnation in a state of change. The form, the awareness of the science of taking off the body and transferring the soul from one body to another is evident throughout the space of STORIES. The cultural diversity of the vast field of ritual literature in India has led to the discovery of rich collections of folk tales in which the occurrence of extraordinary things is a common thing; Therefore, in legends, we are faced with creatures that suddenly change, metamorphose, do things beyond the natural power of man and reveal the unattainable hopes of the mass of Indian people like a mirror. Various TYPES of personification in Bahar Danesh folk tales have been done with the purpose of analyzing and analyzing the function. METHODOLOGY: This research was carried out in a descriptive-analytical way and based on the theoretical framework of the research and using the method of collecting information in a library. FINDINGS: The TYPES of transformation in the folk tales of Bahar Danesh include a wide range of transformation of humans, animals, divan, fairies and their actions and speech, especially in those TYPES where the elements of imagination and illusion are mixed together, it presents the idea of transformation of humans, an approach towards capacities Ghani"s imagination can be imagined in contrast with natural phenomena. CONCLUSION: In the tales of Bahar Danesh, a large part of mythological beliefs, belief in dissolution and reincarnation, traces of Vedic religion, magical powers of the lord of knowledge and Indian Brahmins in their folk narratives in Persian language have been reflected in it.

The present study aims to explain the effects of tourism on the development of rural businesses in the city of Hamadan. This research is applied according to its purpose and based on its nature and method, it is of survey type and descriptive and non-experimental research and the method of collecting field and library information. The statistical population of the research based on the bachelor's standard is equal to 40 experts and the level of village analysis is equal to 40 villages in 9 villages. For validity of content validity method and reliability of research is Cronbach's alpha method that all questionnaires with a high rate of 0.7 have high reliability. In this study, variables fall into two categories of independent variables: including; Variables and factors of tourism and non-tourism affecting rural and tourism businesses and dependent variables that meet 4 criteria: 1. Physical-environmental criteria; 2. Management criteria; 3. Socio-cultural criteria; 4- Economic criteria are divided. In this research, two-sample test and one-sample t-test, correlation test to measure the correlation between variables, to measure the effects of tourism factors on businesses from univariate and multivariate linear regression analysis. And Chi-square test, Spearman test was used. According to the research results, tourism criteria with an average of 4.71 has the greatest impact on the development of rural tourism businesses and in fact is the only dimension that has significant effects on business development. Other non-tourism dimensions have relative and moderate upward effects. In fact, according to the classification that was done at the beginning of the study, tourism criteria have much more important effects than non-tourism factors. In conclusion, it should be noted that apparently the effects of different factors on businesses are not very high and are at a medium to high level. Among these, only tourism factors have high impacts, which is closely related to tourism factors and rural businesses. In fact, the set of tourism elements has a more semantic connection with businesses.